You can use samples from real vocalists, and intertwine them with the presets and effects in VocalSynth 2. You can start to see now that if you aren’t a great vocalist, you can add vocals using VocalSynth 2. Vocal Synth Midi Mode Here they are all put together into a mini song. You can play midi notes to play the affected sound as new notes. Here I created a 2nd instrument track, and selected the Vocal as a side chain. ![]() New Industries Presetīut wait there’s more… You can put VocalSynth 2 into midi mode. So I mute the dry track and just apply the New Industries Preset. To get a bit more creative, you’d probably want something in the post chorus or breakdown part where the vocals are different. iZotope VocalSynth 2 iZotope VocalSynth 2 The “background” vocals applied on a separate track using the Deep Grater preset. Now we’ll apply the Sweet Nothings preset to the lead vocal, and the Deep Grater preset to the 2nd vocal. VocalSynth 2 SixtyFour Preset Vocal combined on a Send And combined with the whole song. It sits better in the song and has some grit. It really adds depth to the vocal when used on a send in combination with the dry track. While the default vocoder preset is a fine preset when used as an inline “wet” insert. If your ear or mixing skills aren’t up to snuff, you’ll find a decent selection of presets that might give you new ideas. I’ll attempt to just use the iZotope VocalSynth presets so that you get a sense of using it out of the box. You don’t realize how much you should be thanking me for not using my own voice □ Also, the vocal put to some basic drums and synth to give you a sense of how the vocal sits in a song. This is the vocal sample that I’ll be using to run through VocalSynth 2. It animates in response to the audio signal.Ĭheck out our article on iZotope’s Ozone if you don’t already have it. Only the modules selected will show up in the graphic. Each letter represents one of the five modules. The Anemone is the coolest visual aspect of VocalSynth 2. ![]() These are Distort, Filter, Transform, Shred, Delay, Ring Mod and Chorus. There’s also a bunch of effects, “Stomp box effects” as iZotope describes them. Great for adding background singers to a chorus, or a distant choir for an ambient effect. Especially useful if your vocalist isn’t available and you only have the 1 take.Īdditionally, the Polyvox can add a choir type effect. The slight variance will be closer to a vocalist doing 2 takes. Keep the original vocals, and put this on a second track with tuned vocals. ![]() But, rather than fix the vocalists’ tuning, this can be useful as a doubler. It can offer pitch correction, if you don’t already have a way to do that. The final module is the Polyvox, and possibly the most useful module. (This and the Vocoder were the Baby Boomber/Gen X version of the AutoTune effect.) Kidding aside, this can be useful as a doubler on a second track. Not sure how useful it is for a current sound, but perhaps it’s time to introduce the younger generation to this awesome effect. Aerosmith, Peter Frampton, Bozz Scaggs, Bon Jovi, etc. ![]() The fourth module is a talkbox, and this can be very useful for a Classic Rock vocalist. It’s designed for glitch effects and computized sounds. The third module is called CompuVox, and personally I’ve had the hardest time finding this useful on vocals, but I could just be missing something.
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